The purpose of this research is to review how the three wireless TV companies in Taiwan programmed their drama series in the past 40 years. Three major questions are raised, including what early programming strategies and methods were, how important works and experiences were involved, and how the public opinion aimed at these programs. In-depth interview and historical research methods are employed to investigate the development of TV drama programs. Important staffs, events and TV drama series are documented. In general, the content of the TV drama programs is found to be unsatisfactory by the public opinion over the past 40 years. The research then concludes that the lack of cultural and political supports should be the main factor, and building a strong artistic environment for the TV drama programs is desperately needed.